Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature currently requires accessing the site using the built-in Safari browser.
Theme from anime 'nana' ana tsuchiya-rose
I'd have to go with 草原のマルコ (Sougen No Marco) performed by 大杉久美子 (Kumiko Oosugi)
It's the opening theme song from the series, 母をたずねて三千里 (Haha Wo Tazunete Sanzen-ri). The lyric describes a young Italian boy from Genoa, Marco, waking up to another day of lonesome journey through the flat plains of Peru/Ecuador (can't remember exactly where...but it is somewhere in the south america) in search of his long lost mother who had left home to work in Argentina to provide for her family back home. The music is heavily influenced by the folk music of the south america with a very effective use of the traditional instruments. A GREAT song.
The series has been made into a couple of feature-length movies and maybe available on DVD outside Japan. The original series is the best, though. The animation is beautifully drawn with art direction by none other than pre-Nausicaa Hayao Miyazaki.
The song really captures the spirit of this wonderful series that I used to love as a child (and still do).
Tiger Mask reminded me of my childhood favorite.
Jungle Emperor (Janguru Taitei, resembling a Disney film very much in my personal opinion) was a series by Tezuka Osamu I
watched mostly for the ending song more than the story...It sounded very sophisticated then, when many anime songs at that time were just ditties.
This one, along with the opening song and soundtrack, was composed by now famous composer and Grammy nominee Isao Tomita.
Well, when Lion King came out, there was a lot of debate in the Japanese media and among Tezuka Osamu fans that the Tezuka Osamu production company should claim copyright and sue Disney. However, Mr. Tezuka (who had passed away by that time) had very often mentioned in his lifetime that his inspiration for anime came from watching Disney films such as Snow White and Bambi and learned animation techniques from Disney. To him, Walt Disney was a mentor and hero. That is the reason why the company decided to respect Mr. Tezuka's admiration of Disnay and accept Lion King graciously as recognition that Disney bestowed toward Mr. Tezuka and his achievements in animation.Here is a comparison of the two works and it is clear that Disney copied much of the work of Tezuka. Really, no shame when they copied that without paying some rights to Tezuka.
Japanese anime in the old days were regarded second-rate "filler" programs catering to small kids that foreign broadcasters can buy cheaply. This preconception led to many countries editing the anime as they pleased, replacing or cutting out music, etc. The Japanese side had no qualms about such action, because they didn't feel they were up to par with Disney. In fact, Japanese animes then were deliberately produced at reduced frames per second vis-a-vis Disney in order to cut time and cost of production.Unfortunately, I don't know why at that time it was very common that when a japanese series went international, in many countries they "shortened" the OP/ED and they put their own music or/and song, not always with much effort. It didn't happened all the time, but I think that was a mistake. Fortunately they don't do that any more.
Well, when Lion King came out, there was a lot of debate in the Japanese media and among Tezuka Osamu fans that the Tezuka Osamu production company should claim copyright and sue Disney. However, Mr. Tezuka (who had passed away by that time) had very often mentioned in his lifetime that his inspiration for anime came from watching Disney films such as Snow White and Bambi and learned animation techniques from Disney. To him, Walt Disney was a mentor and hero. That is the reason why the company decided to respect Mr. Tezuka's admiration of Disnay and accept Lion King graciously as recognition that Disney bestowed toward Mr. Tezuka and his achievements in animation.