- 14 Mar 2002
- 21,050
- 18,903
Ikeda Waka explains on Nikkei Asia why "Black Box Diaries," an Oscar-nominated film, has been wholly ignored in Japan.
Shiori Ito
"Black Box Diaries," a critically acclaimed documentary about a Japanese woman's journey after a sexual assault, has been nominated for an Oscar. Usually, there is media fanfare when a film gains international recognition, but this movie remains unreleased in Japan -- not because of a public backlash or censorship, but because of something more profound: a cultural emphasis on collective consent: it goes against the grain in a collectivist society.
Other movies shared a similar fate:
Both films faced resistance for how they portrayed Japanese collective identity, prompting delays as distributors waited for emotions to settle. This hesitation reflects Japan's ongoing struggle to confront its darker past while balancing cultural sensitivities, historical reflection and national pride.
Paywall alert:
asia.nikkei.com
Shiori Ito
"Black Box Diaries," a critically acclaimed documentary about a Japanese woman's journey after a sexual assault, has been nominated for an Oscar. Usually, there is media fanfare when a film gains international recognition, but this movie remains unreleased in Japan -- not because of a public backlash or censorship, but because of something more profound: a cultural emphasis on collective consent: it goes against the grain in a collectivist society.
In 2015, Shiori Ito was a 25-year-old journalism student with big dreams. She had been working as an intern at Reuters in Japan while studying at a university in New York. One evening in Tokyo, she met with Noriyuki Yamaguchi, the Washington bureau chief for TBS, a major Japanese broadcaster, to discuss job opportunities in the U.S. What began as a professional meeting turned into a nightmare. Ito says she lost consciousness during their meeting -- drugged, though this could not be proven in court -- and says she was raped at a hotel. The police initially prepared an arrest warrant, but the case was abruptly dropped after the alleged intervention of senior officials. Yamaguchi denied the allegations, but a civil court in 2019 ordered him to pay damages to Ito.
Other movies shared a similar fate:
"Unbroken" tells the true story of Louis Zamperini, an American World War II veteran who survived brutal treatment at the hands of Japanese soldiers. While it premiered in the U.S. at the end of 2014, it didn't reach Japanese theatres until early 2016. Its portrayal of Japanese wartime cruelty struck a nerve in a country where many see it as a victim of the atomic bombings. Similarly, Nolan's "Oppenheimer", which delves into the creation of the atomic bomb and the life of J. Robert Oppenheimer, was released in Japan after an eight-month delay. This was unusual, given that Nolan's films typically premiere here just a week after their U.S. release. The movie's focus on America's role in building the bomb while giving little attention to the devastation in Hiroshima and Nagasaki sparked criticism.
Both films faced resistance for how they portrayed Japanese collective identity, prompting delays as distributors waited for emotions to settle. This hesitation reflects Japan's ongoing struggle to confront its darker past while balancing cultural sensitivities, historical reflection and national pride.
Paywall alert:
Why an Oscar-nominated film has been met with silence in Japan
Shiori Ito's 'Black Box Diaries' goes against the grain in a collectivist society