Hello,
1. This is part of a film synopsis:
スリリングなカーチェイス・シーンが見物。
Does this mean "Sheen and the car chase are worth seeing"? (Sheen is an actor in the film.)
I do not exactly understand the grammar that connects スリリングなカーチェイス and シーン.
2. 警部、もっと警官を投入できるようになるまでは、事態を表に出さないようにしたまえ。
Translation given: "Sergeant, try to keep a lid on the situation until we can get more police down there."
What is したまえ? It looks like it could be an imperative, but I can't find the relevant verb.
3. パリにいる時に、必ず思うことのひとつは、東京に帰ったら、もっと大勢友だちをよんで、気楽に、一夜を過ごせたらということだ。
My translation: "When I am in Paris, one thing I always think is that, when I return to Tokyo, it would be good to call lots of friends and spend a fun evening with them."
a) Does 過ごせたら express the writer's desire, something like "If I was able to pass time (with my friends) then it would be good"?
b) Does もっと imply a comparison with the writer's lifestyle when she is in Paris?
4. The author then goes on to explain why, when she does actually return to Tokyo, she rather changes her mind about inviting all her friends round:
もうひとつは、貧乏ひまなしで、日本の違う現実につきあたり、おたおたして、昼と夜の暮らしのけじめがつきかねる。
My translation: "For another thing, 'there is no leisure for the poor', I'm shocked by the clash with the different reality of Tokyo (i.e. compared to Paris), and the distinction between life in the daytime and in the evenings is blurred."
a) Although this is not the greatest English sentence ever written, is the meaning essentially correct?
b) I assume つきかねる is from つく + けなる, but which つく is this, and what is its literal meaning?
5. それなら、なぜ、パリにいるとき、日本へ帰ったら、ひとつ、と思うのであろう。
My best guess at this is: "In that case, I wonder why, when I'm in Paris, I think 'if only I could return to Tokyo'."
a) What is the purpose of ひとつ in this sentence? Does it combine with ~たら to create sense like "if only", as I translated?
b) What is the purpose of であろう? Does なぜ ... のであろう form a pattern?
1. This is part of a film synopsis:
スリリングなカーチェイス・シーンが見物。
Does this mean "Sheen and the car chase are worth seeing"? (Sheen is an actor in the film.)
I do not exactly understand the grammar that connects スリリングなカーチェイス and シーン.
2. 警部、もっと警官を投入できるようになるまでは、事態を表に出さないようにしたまえ。
Translation given: "Sergeant, try to keep a lid on the situation until we can get more police down there."
What is したまえ? It looks like it could be an imperative, but I can't find the relevant verb.
3. パリにいる時に、必ず思うことのひとつは、東京に帰ったら、もっと大勢友だちをよんで、気楽に、一夜を過ごせたらということだ。
My translation: "When I am in Paris, one thing I always think is that, when I return to Tokyo, it would be good to call lots of friends and spend a fun evening with them."
a) Does 過ごせたら express the writer's desire, something like "If I was able to pass time (with my friends) then it would be good"?
b) Does もっと imply a comparison with the writer's lifestyle when she is in Paris?
4. The author then goes on to explain why, when she does actually return to Tokyo, she rather changes her mind about inviting all her friends round:
もうひとつは、貧乏ひまなしで、日本の違う現実につきあたり、おたおたして、昼と夜の暮らしのけじめがつきかねる。
My translation: "For another thing, 'there is no leisure for the poor', I'm shocked by the clash with the different reality of Tokyo (i.e. compared to Paris), and the distinction between life in the daytime and in the evenings is blurred."
a) Although this is not the greatest English sentence ever written, is the meaning essentially correct?
b) I assume つきかねる is from つく + けなる, but which つく is this, and what is its literal meaning?
5. それなら、なぜ、パリにいるとき、日本へ帰ったら、ひとつ、と思うのであろう。
My best guess at this is: "In that case, I wonder why, when I'm in Paris, I think 'if only I could return to Tokyo'."
a) What is the purpose of ひとつ in this sentence? Does it combine with ~たら to create sense like "if only", as I translated?
b) What is the purpose of であろう? Does なぜ ... のであろう form a pattern?