- 8 Aug 2005
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Recently I went to a preview of Kintsukuroi, a film written and directed by Kerwin Berk, a SF bay-area journalist and filmmaker. He is sansei (third generation) Japanese-American and his production company, Ikeibi Films, is dedicated to the idea that Asian Americans need to tell their own stories in their own voice using our own talent both in front of and behind the camera. There was a Q&A after the film with the director and some of the actors.
Despite the film's relatively low budget of $30,000, it tells a sweeping story of 120,000 Americans through the eyes of two families that found themselves suddenly thrust into the middle of the war. Kintsukuroi, also called Kintsugi, is the art of repairing broken pottery with gold and lacquer, and that the repairs which highlight the damage bring a new beautiful aspect to the vessel.
Tomorrow I'll be helping facilitate a viewing at my mom's retirement complex, only this time I'm helping run the post-film discussion. So I find myself researching order 9066, the no-nos, and the Civil Liberties Act of 1988, where the US government officially apologized to Japanese Americans for their internment.
Despite the film's relatively low budget of $30,000, it tells a sweeping story of 120,000 Americans through the eyes of two families that found themselves suddenly thrust into the middle of the war. Kintsukuroi, also called Kintsugi, is the art of repairing broken pottery with gold and lacquer, and that the repairs which highlight the damage bring a new beautiful aspect to the vessel.
Tomorrow I'll be helping facilitate a viewing at my mom's retirement complex, only this time I'm helping run the post-film discussion. So I find myself researching order 9066, the no-nos, and the Civil Liberties Act of 1988, where the US government officially apologized to Japanese Americans for their internment.
