- 22 Jun 2012
- 6
- 0
Hi.
I'm about to try out Heisig's approach on the Kanjis, but there is one thing i'm wondering about.
What is the purpose of having the "stories"? Would'nt it be more efficient to keep it short and just use the "keywords" as building blocks?
This is how Heisig writes about 早.
My example:
Keyword: Early
Story: day+ten ▼
For those who don't know, in RTK the keyword for 日 is day and for 十 it is ten.
EDIT> Seems like there was a sub-forum for Japanese textbooks. If a moderator sees this, please move the thread.
I'm about to try out Heisig's approach on the Kanjis, but there is one thing i'm wondering about.
What is the purpose of having the "stories"? Would'nt it be more efficient to keep it short and just use the "keywords" as building blocks?
This is how Heisig writes about 早.
Why make such a long story instead of just keeping it short?Heisig said:早
Keyword: Early
Story:
This kanji is actually a picture of the first flower of the day,
which we shall, in defiance of botanical science, call the sun-
flower, since it begins with the element for sun and is held up
on a stem with leaves (the pictographic representation of the
final two strokes). This time, however, we shall ignore the pictograph
and imagine sunμowers with needles for stems, which
can be plucked and used to darn your socks.
The sense of early is easily remembered if one thinks of the
sunflower as the early riser in the garden, because the sun,
showing favoritism towards its namesake, shines on it before
all the others (see frame 10).
My example:
Keyword: Early
Story: day+ten ▼
For those who don't know, in RTK the keyword for 日 is day and for 十 it is ten.
EDIT> Seems like there was a sub-forum for Japanese textbooks. If a moderator sees this, please move the thread.