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What's your translation, roughly, not in natural English?
I'm not sure if he's coming back any soon...
Is it safe to assume that 策略家 is the subject of 不器用と見せかけて too in this case?
萌える is a slang; meaning "to be strongly attracted".
https://en.wikipedia.org/wiki/Moe_(slang)
Is 策略家being modified by The whole clause 不器用と見せかけて?
Or os there a completely new clause starting with 策略家, sorry but I got somewhat dizzy with this one.
登場人物たちが、不器用と見せかけて、実は策略家 makes more sense, maybe?
Roughly, yes, you got the gist of it.My attempt is;
I'm also strongly attracted to the case/situation/plot that the characters are actually strategists pretending to be clumsy with love(lit. the characters are pretending to be clumsy with love, but are actually strategists).
The subjects of イメージ(しました) and 書きました are both the writer, so it's most reasonable to judge that the entire sentences are written on his/her viewpoint and therefore the subject of 萌えます is also the same person.
No, the interpretation is not changed at all.
これは恋愛小説です。私は恋に不器用な大人達の不器用な恋愛をイメージしました/して書きました。私は不器用と見せかけて策略家でも萌えます。私は診断メーカーで出たお題で書きました。
That does make sense... However, for future reference, how exactly are you able to tell the subject? Just something you practice? Or do you have any tricks?
Its something Tori have taught me thousands of times, yet my silly mind keeps repeating the same mistakes.
Whenever the "subject" is not cited, you should assume its talking about itself right? as in "カレ食べたい" (i wanna eat kare) , paying attention to the particle 「は」specially , if a different person isnt brought up then it is somehow safe to keep the focus on said person(in this case, me)... whatever (verbs) come after that, a native japanese speaker should take it as something related to me, unless I bring a new topic.
It surely is easier said than done, about the practice part, yes, It is a matter of maturing our comprehension I think
That's generally how I understand it; however, the sentence where これは was the implied subject, a new subject was not indicated right after. So I continued translating as though これは was still the subject, which was where I had trouble. It threw me off.
Obviously, it wouldn't make sense if 私は was the subject of 恋愛小説です. So, I'm wondering what logic one uses to recognize the subject change from the first sentence to the second...because in my interpretation, 私は or これは could be the subject. Thoughts?
I got your feelings...
Since we're in a similar position in this one, I can only guess(without offering you that satisfatory answer though) that as I said before the "verbs" are possibly the key to this one, perhaps a subject that is at the same time a non-agent(as the 小説) can't perform actions, this way, whenever in lack of a precise description about the next sentence, one should take the writer/narrator as the do'er of whatever verbs comes in.
There doesn't have to be a spelled-out switch here because the rest of the sentences involve actions that a novel can't do. (Which you sort of got instinctively since you did have it as "I wrote" in your first attempt.)
I think the main issue is that you weren't familiar with those verbs. My question would be, then, on your strategy for handling unfamiliar vocabulary. How did you get from ~~をイメージ to "details" (in your first translation attempt?