TuskCracker
後輩
- 17 Jan 2004
- 531
- 14
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Here is two reviews, but pretty typical
Here is two reviews, but pretty typical
BEASTS AND BEAUTIES ツ"King Kongツ" and ツ"Memoirs of a Geisha.ツ"
by DAVID DENBY
NewYorker Magazine
Issue of 2005-12-19
...............
What we're presented with, at first, is a kind of crude fairy tale, in which a country girl, Chiyo, is sold into bondage at a Kyoto geisha house in 1929. The house is ruled by a foul-tempered Mother (Kaori Momoi) and a nasty head geisha, Hatsumomo (Gong Li)—the equivalents of a wicked stepmother and stepsister. But then the teen-age Chiyo (Ziyi Zhang) is rescued by a fairy godmother, Mameha (Michelle Yeoh), an older geisha who treats her kindly and teaches her the intricacies of her craft. .....
We do not initially understand, for instance, why Hatsumomo is so cruel to Chiyo, and by the time we find out we no longer care. As Hatsumomo, Gong Li is required to throw so many hissy fits that she seems less a geisha than a Mean Girl in a high-school comedy set in Santa Barbara.
Hollywood's Faulty 'Memoirs'
Experts on Japanese Tradition Are Bedeviled by Film's Details
By Sarah KaufmanWashington Post Staff Writer
Thursday, December 15, 2005;
.....The quality and style of the kimono is just one element of Japanese culture that Marshall overlooks in his film "Memoirs of a Geisha," Shizumi says. The Osaka-raised dancer also faults the director for including inaccurate versions of traditional geisha dancing and for failing to convey the studied artistry that geisha embodied in the 1930s and '40s, when the film is set...........................................Nor does the dancing reflect the stillness and subtlety of traditional geisha dance, she says, particularly the solo for the central character Sayuri, an apprentice geisha who dons eight-inch high zori -- think lacquered platform flip-flops -- and a thin white gown and whips herself into a frenzied expressionistic dance under a cascade of confetti .............................................................................................................................. Shizumi is not alone in thinking the film takes needless liberties. Los Angeles-based musician Masakazu Yoshizawa is a veteran of the movie industry, having worked on the soundtracks of dozens of films, including "The Last Samurai" and "Jurassic Park." Working on "Memoirs of a Geisha," he said, amounted to a series of arguments with Marshall, culminating in failed efforts to talk the director out of using aggressive, choppy music from northern Japan to set the tone for the cultured city of Kyoto, home of the most exclusive geisha. ........................