TuskCracker
後輩
- 17 Jan 2004
- 531
- 14
BEASTS AND BEAUTIES ツ"King Kongツ" and ツ"Memoirs of a Geisha.ツ"
by DAVID DENBY
NewYorker Magazine
Issue of 2005-12-19
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What we're presented with, at first, is a kind of crude fairy tale, in which a country girl, Chiyo, is sold into bondage at a Kyoto geisha house in 1929. The house is ruled by a foul-tempered Mother (Kaori Momoi) and a nasty head geisha, Hatsumomo (Gong Li)—the equivalents of a wicked stepmother and stepsister. But then the teen-age Chiyo (Ziyi Zhang) is rescued by a fairy godmother, Mameha (Michelle Yeoh), an older geisha who treats her kindly and teaches her the intricacies of her craft. .....
We do not initially understand, for instance, why Hatsumomo is so cruel to Chiyo, and by the time we find out we no longer care. As Hatsumomo, Gong Li is required to throw so many hissy fits that she seems less a geisha than a Mean Girl in a high-school comedy set in Santa Barbara.
Hollywood's Faulty 'Memoirs'
Experts on Japanese Tradition Are Bedeviled by Film's Details
By Sarah KaufmanWashington Post Staff Writer
Thursday, December 15, 2005;
.....The quality and style of the kimono is just one element of Japanese culture that Marshall overlooks in his film "Memoirs of a Geisha," Shizumi says. The Osaka-raised dancer also faults the director for including inaccurate versions of traditional geisha dancing and for failing to convey the studied artistry that geisha embodied in the 1930s and '40s, when the film is set...........................................Nor does the dancing reflect the stillness and subtlety of traditional geisha dance, she says, particularly the solo for the central character Sayuri, an apprentice geisha who dons eight-inch high zori -- think lacquered platform flip-flops -- and a thin white gown and whips herself into a frenzied expressionistic dance under a cascade of confetti .............................................................................................................................. Shizumi is not alone in thinking the film takes needless liberties. Los Angeles-based musician Masakazu Yoshizawa is a veteran of the movie industry, having worked on the soundtracks of dozens of films, including "The Last Samurai" and "Jurassic Park." Working on "Memoirs of a Geisha," he said, amounted to a series of arguments with Marshall, culminating in failed efforts to talk the director out of using aggressive, choppy music from northern Japan to set the tone for the cultured city of Kyoto, home of the most exclusive geisha. ........................
The Bloom Is Off The Book
'Memoirs Of A Geisha' 12/9
Newsweek
Dec. 19, 2005 issue
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Marshall's movie plays out, however, less like a classic fairy tale than a lurid, *****-slapping Hollywood melodrama from the '40s, complete with overwrought histrionics, sneering villains and emphatic cigarette smoking. This may make the movie sound like more fun than it is. A sumptuously produced Prestige Picture, lusting for Oscars, it takes itself much too seriously to achieve even camp status.
alBiNo_effEct said:What is a geisha supposed to be? Is she a prostitute? No offense, I'm just curious.
Well, it's not exactly brimming with a Japanese cast,Da Monstar said:I think this is gonna be a great movie. Though I mist say, if it is in English dub like in the trailer, then it won't be as cool as it would have been in japanese. But then again I think the main character would have had to much trouble learning Japanese(assuming she only speaks mandarin/cantonese)
yukio_neko^_o said:Well, it's not exactly brimming with a Japanese cast,(which is why it drew some criticisms from Japan over it's authenticity etc etc)... You might be mortified to hear that they rather speak in a kind of Japanese-ish-English...
flashjeff said:And then there's the animosity on both sides about Chinese actresses like Zhang Ziyi, Michelle Yeoh and Gong Li starring in the principal roles. The Japanese were angry at the casting while the Chinese were angry at their countrywomen portraying Japanese comfort women.
I read in an article about the movie that during the casting, Japanese actresses were reluctant to try out because they didn't think their English was good enough, and there was no way in hell the movie would be subtitled since Americans in their cultural ignorance have no patience for subtitled movies.
In any event, i was so enthralled by Geisha that I went out and bought the novel the other day and will read it over the holidays. Should be highly interesting.