Your first example "To act as if no one is beside you" 傍若無人, literally, would mean "nearby" + "as if" + "there isn't" + "a person." The translation "arrogant(ly), arrogance" is merely a reduced one-word synonym which reflects the current usage mostly restricted to describing a person's negative attitude of neglecting or looking down upon others whereas the classical usage could have carried either a positive or neutral sense, "without minding other people's opinions."Jesse V said:I've tried using online translators to translate these 2 Kanji phrases.. they give a rough translation of what they are but they don't give the exact phrase that the page I got the sayings from gives. Basically, I'm curious if there are proverb's or whatever that are causing this.
lexico said:Your first example would not be considered a proverb because it is not a full sentence. It is only an expression of what your "page" gave you; "To act as if no one is beside you." 傍若無人, literally, would be "nearby" + "as if" + "there isn't" + "a person." The translation "arrogant(ly), arrogance" is merely a reduced one-word synonym which reflects the current usage mostly restricted to describing a person's negative attitude of neglecting or looking down upon others whereas the classical usage could have carried either a positive or neutral sense, "without minding other people's opinions."
天長地久; your page translation of "the sky is wide, and the earth is eternal" would be closer to the classical translation. As for the Japanese translation site's "something involving the heaven's and earth," I cannot comment without the details. It may be noted 長 is not only long spatially, but can also be "old, elderly, and elder" while 久 would have meant temporally extended, pertaining to a long span of time, not necessarily "eternal." Therefore it could also be phrased, "The heaven is wide, and the earth is lasting." This is a compound sentence that would qualify as a proverb highlighting the vastness of space and time.
What the page gave you is the classical meaning. But modern usage invariably associates arrogance to it; it may not be a good idea to use it as a tattoo phrase regardless of its classically neutral origin.Jesse V said:Does anyone else have any more info on what the first one could classically mean? Its for a tattoo for someone.. they like the meaning that the site gives, however, they don't like the arrogant translation of it.
Sasame is quite correct in pointing out the source; Sima Qian's Shiji 『史記』, Scroll 86, Biographies no. 26, The Biography of Jing Ke 荊軻. Examining the original context of 「傍若無人」 would be a good means of determining its usage.Sasame(J.)/ Infoseek(E.) said:傍若無人という四字熟語は、中国の『史記』に出てく る荊軻(けいか)という暗殺者のエピソードから生まれました。
The 4-character idiom of being audacious comes out to "Historical Memoirs" of China. It was born by the episode of an assassin called る荊軻 (is it けい?).
彼は高漸離(こうぜんり)という 楽器の名手と一緒に街中で大酒を飲んで歌い騒ぎ、最後 は感極まって泣き出したそうです。
He calls it quantity 漸離 (り not developing). Together with the expert of a musical instrument, it drinks hard, and sings, noise is made all over a town, and it is the last. It is said that it was filled with emotion and began to shed tears.
そんな彼の様子を「 傍若無人」――まるで周囲に他の人たちなどいないよう だ――と表現してあります。
his appearance -- "audacious" -- other men etc. are not completely in the circumference -- as -- it is -- it is expressed as --.
その「傍若無人」という中国語を日本語風に読むと「 かたわらにひとなきがごとし(傍らに人無きが若し)」 となります。
if the Chinese of "being audacious" is read in the style of Japanese -- "side -- every [ without 1 ] が -- carrying out (side 人無き if) -- " It becomes.
(The English text is raw Infoseek translation without editing; please do not bother Sasame for finished translation.)
It can be seen that Jing Ke's not minding others' presence had nothing to do with "arrogance" but was due to his deep feelings towards his friends and whatever (?). Although he failed in assassinating the first emperor, he was loved by people of all classes, perhaps excluding royalty for obvious reasons, his name became a theme with its own school of politics, history, and pseudo-history that even grew into what later became novel literature 小說家.史記 said:「荆軻游於邯郸,鲁句踐與荆軻博,争道,鲁句踐怒而叱之,荆軻嘿而逃去,遂不復會。
Jingke travelled in Handan, where king Ju Jian of the state of Lu played the bo 博 game with him. They fought over a move, Ju Jian lost temper, and scolded him upon which Jing Ke quietly left never to return to meet him again.
荆軻旣至燕,愛燕之狗屠及善擊筑者高漸擊。
Jing Ke had already arrived at the State of Yan; he had become dear friends with the dog butcher and Gao Jianli the 5-stringed zhu-lute player.
荆軻嗜酒日與狗屠及高漸離飲於燕市。
Jing Ke liked wine; by day he would, together with the dog butcher and Gao Jianli, drink in the market place of Yan, the capital of the state of Yan.
酒酣以往高漸離擊筑荊軻和而歌於市中相樂也。已而相泣 傍若無人。
When the wine's buzz lapsed, Gao Jianli would play the zhu lute, and Jing Ke would sing in harmony; thus in the market place they rejoiced in each other. Simply that, and they would weep together as if there were no one near by.
荆軻雖游於酒人乎然其爲人沈深好書其所游諸侯盡與其賢豪長者相结。
Although Jing Ke played among wine drinkers like this, his character was profound and loved reading; the lords of states with whom he associated bonded in friendship with him because they perceived his virtue and unrestrained manner merits.
其之燕,燕之處士田光先生亦善待之,知其非庸人也。」
When he went to Yan, the private scholar Tian Guang also treated him well, knowing his extraordinary person.
Here are a couple of possibilities of expressing a person who has exceeded the restraints of ordinary existence.s there kanji translation that is similar to the first one but more positive [?]
2. 天上天下 唯我獨尊: In the whole universe, I am alone, honored. --Syakamuni Buddha力拔山兮氣蓋世
時不利兮騅不逝
騅不逝兮可奈何
虞兮虞兮奈若何
My strength extracts a mountain; o, my breath can cover the world,
The times are not favorable; o, my horse Zhui will not march.
My horse Zhui will not march; o, what is there I can do ?
O, Wu, O, Wu; what to do with you ?
lexico said:Sasame is quite correct in pointing out the source; Sima Qian's Shiji 『史記』, Scroll 86, Biographies no. 26, The Biography of Jing Ke 荊軻. Examining the original context of 「傍若無人」 would be a good means of determining its usage.It can be seen that Jing Ke's not minding others' presence had nothing to do with "arrogance" but was due to his deep feelings towards his friends and whatever (?). Although he failed in assassinating the first emperor, he was loved by people of all classes, perhaps excluding royalty for obvious reasons, his name became a theme with its own school of politics, history, and pseudo-history that even grew into what later became novel literature 小說家.
Here are a couple of possibilities of expressing a person who has exceeded the restraints of ordinary existence.
1. 力拔山 氣蓋世: [My] strength extracts a mountain; [my] breath covers the world. --項羽 Xiang Yu's Under the Moat 垓下歌, later dramatised in the climax of Farewell My Concubine
2. 天上天下 唯我獨尊: In the whole universe, I am alone, honored. --Syakamuni Buddha
3. 浩然之氣: overwhelming/unhesitant/magnanimous spirit; a soul of natural greatness; Legge's usage: "passion-nature" --Mengzi
傍 is そば or beside, doesn't that make sense as a literal translation ?Gaijinian said:All I can help you out in, is that 傍 looks like the Chinese "to read" 读 du (a difference of イ・言). Maybe that helps...
Certainly not...doesn't that make sense as a literal translation
I can guess the general meaning from the machine translation, but HATA, OSUSUME, BU, RITONI are not translatable. Could you maybe tell me what they mean ? Thanks !Sasame(J.)/Infoseek trans.(E.) said:(paragraph 2.)
しかし、現代日本においては、傍若無人と形容をされ る人というのは、ハタ迷惑な嫌われ者ばかりのようです 。
however, in present age Japan, it expresses figuratively that it is audacious -- having -- saying [ る people ] -- HATA -- troublesome -- as [ be / it is disliked and / it / about / person ] .
周囲に人がいてもお構いなしの自己中心さで勝手気ま ま振る舞いをする人のことを「傍若無人」と形容するよ うになったようです。
even if people are in the circumference -- indifferent egocentricity さ -- selfish 気ま The thing of those who do ま振る舞い is described, saying "It is audacious". It seems that it became obtaining.
そういう使われ方をしている以上、刺青で「傍若無人 」と彫るのは、あまりオススメできない気がします。
If such a usage is carried out at all, I feel OSUSUME [ carving with "it is audacious " by tattoo / seldom ].
ブ リトニー・スピアーズがミステリアスという意味だと思って彫った「奇」の 字のように、後々後悔する可能性が……(^_^;
BU "奇" which RITONI Spears regarded as it being the meaning of being mysterious, and was carved A possibility [ (^_^; ] of repenting the future like a character ....
まあ、あれが「奇妙」の「奇」だと思うから凹むわけで 、「奇跡」の「奇」だと思えば良いんじゃないかと思い ますが(^_^;;
since it thinks well that that is "strange" "奇", it dents -- dividing -- coming out -- what is necessary is just to think that it is "奇" of a "miracle" -- it is -- considering -- ます (^_^;;
The English text is raw Infoseek translation without editing; please do not bother Sasame for finished translation.
I missed this part of your question earlier. McCrutch already answered in part; let me supplement several possibilities;Jesse V said:the first phrase she wanted was "When desire becomes obsession." What we thought we found was that 'When' and /becomes' are not in the Kanji language so thats an issue. Is that true?
を成る is grammatically erroneous...how about 「欲望が強迫観念になると」のほうが自然でしょうか?Could someone help with the Japanese translation of this question, please...My guess for "When desire becomes obsession" with the most kanji would be 切望が強迫観念を成る時 but the が, を, and る are necessary for grammar purposes.
を成る is grammatically erroneous...how about 「欲望が強迫観念になると」のほうが自然でしょうか?