- 3 Jul 2006
- 13
- 0
Desription:
This forum is mainly dedicated to the Japanese and Korean cinema and their female interpretations. Our criteria are to favour films having female roles strong and developing. All the kinds of cinemas will be covered, of the romantic comedy to the horror. All except pornography (of course). I will want to as add as with the aim of open the dialogues beyond the occident, we chose linguistic co-education. French and English are in force, English allows us to discuss directly with people Japan, Korea or other areas of Asia. We wished to speak about known films but also to make discover films little known which return in our criteria. Kagen No tsuki is not a feminist forum although the administrator team is made up women. All the subjects in relation to our topic are welcome. We put a place a system of mini-profile actresses connected to the cards films by internal bonds hypertexts, which should allow the member to document ourselves with two different access modes, either film or actresses. To finish this presentation, we have in project to write some film reviews which we consider to be hastily buried by certain tenors of the cinematographic criticism of the Web.
Kate
This forum is mainly dedicated to the Japanese and Korean cinema and their female interpretations. Our criteria are to favour films having female roles strong and developing. All the kinds of cinemas will be covered, of the romantic comedy to the horror. All except pornography (of course). I will want to as add as with the aim of open the dialogues beyond the occident, we chose linguistic co-education. French and English are in force, English allows us to discuss directly with people Japan, Korea or other areas of Asia. We wished to speak about known films but also to make discover films little known which return in our criteria. Kagen No tsuki is not a feminist forum although the administrator team is made up women. All the subjects in relation to our topic are welcome. We put a place a system of mini-profile actresses connected to the cards films by internal bonds hypertexts, which should allow the member to document ourselves with two different access modes, either film or actresses. To finish this presentation, we have in project to write some film reviews which we consider to be hastily buried by certain tenors of the cinematographic criticism of the Web.
Kate