Gazette

Amita;
The cookbook for Kai, like BlackSoul said, is something I would recomment you too :3 I bet he will like that!
And Aoi? I'm sure he is pleased with everything he gets! I mean, he's wearring cloths his fans made/bought for him! <3
ISN'T THAT JUST AMAZINGLY SWEET! :LOL:

THAT IS SERIOUSLY SWEET!!!! I think I'm going to buy him something that he can wear.....but I'm still thinking about that....maybe I should make him something instead??? I dunno :p
Does anyone want to add something to our letter???????????? It's for the entire group with little bits for each member....it wont be sent till they finish their tour though :)
 
HELLO ^^!🙂

wow, last time i was here you were about 200 pages behind 😏...

and looks like there are ALOT new ppl i dont know..
 
Amita;
YESH IT IS SWEET!! <3 * adores the most cutest guy in the ****** world! <3 *
I don't know what to add, but I really want to add something to your letter! [ Great idea, btw! =D ] What should I add ;o; ?!

Lola-chan;
I don't have any idea what his size is either ! O_O
I want to know sooooo badly! ;o; * feels like a bad-Aoi-fan now . . *


Oke, I keep find this thing hilarious xD
Around 5;27 its getting freaking good! <3
Uruha is just a dork, and Aoi has this great big smile! =D Kai is cute, Reita is fun, and Ruki acts total cool! :'3

Tomino;
Haaaaaaaaaaaaaaalloooooww back again, then! =D * hugs tight *
Yeshu, muchies more members since that pages O_O And others, ofcourse. Much 'old-members' aren't coming around here anymore ;__;
 
Gazettastic,
wow, nice to meet you 🙂
*hugs back*
yeah, guess they aren't T.T
well it ain't bad seeing new members also ^^
 
Had no idea if this was posted, so decided to post it.

Gazette Shoxx vol.172 interview.

[Meaningless Art That People Showed] in Yokohama Arena (2007.3.11)
the GazettE tour [DECOMPOSITON BEAUTY] beginning last year, including their national hall tour and their live house circuit [FURRY & SORROW] concluded in this final live concert in Yokohama Arena.


In comparison to their performance in Koriyama in December 2006, I think that the band has evolved both musically and mentally. Perhaps this is due to [Henya] which was released at the beginning of this year. Band members seem to have continued building up their musical and performance skills, seeming more comfortable to use the stage and harmonizing well together.


The audience noticed the most; they were very excited and very worked up to the point were it was almost abnormal. You could feel something in the air. And considering that due to the oval shape of the arena the stage is quite a long distance away from the audience making it hard to see them (there weren't any big screens), the acoustics at times made the music echo off the walls, and Yokohama Area can accommodate more than 10, 000 people making this atmosphere quite unusual if not quite a feat. In small live houses the audience tends to move together crammed all into a small space, however, in this the GazettE live, 10,000 or more people moved and reacted as if they were in the front row of a dance floor. Honestly speaking, sometimes I was astonished by how the audience was getting into the live.


Meanwhile on stage Ruki was giving his body and soul to his singing, Kai hit drums keeping a steady rhythm, Reita expressed his deep emotion with his cool appearance, Aoi played guitar looking satisfyingly over the venue, and Uruha played guitar exactly, putting emotion into his sound. These five members released their hot souls which traveled to all of the people there.


The audience seemed to be producing the atmosphere with the GazettE, I can't really explain it any other way than that it was like a huge live house had suddenly appeared before my eyes with each and every member of the audience enjoying themselves giving everything they had to the band.


ツ"Hey! Yokohama! Today is the greatest! Not because we can play here in this venue, but because so many of you came to join us here today! When I heard that we would play here I couldn't imagine what it would be like, but now we've done it I feel it's no different to a live house at all.ツ"(laugh) ツ"Even though there is a distance between us, you are all so excited, which means so much to us. From now on we'll play in big places and also in small places, but I just hope you will make a lot of noise, sweat all over, and enjoy our lives. Wow! What a view! Let's do a live again soon! Stay with us until the very end! This is all for you!ツ"


In their second encore, Ruki said this (above) and sang earnestly. Until this second encore, they played basically the same set lists as the tour [FURY&SORROW], but in this second encore, they played special songs which they usually played in their previous tour.


In only five years, the GazettE has miraculously become a band that can fill such a large venue with so many fans and create such an overwhelming atmosphere. the GazettE breaks boundaries and sets new goals in what seems to be, for them at least, a limitless world. Until now I had seen and known of the GazettE's abilities, but this tour of [DECOMPOSITION BEAUTY] really showed off their growth as a band and made us look forward to their lives to come.


[FURY&SORROWツ]in Yokohama Arena Sound Hall(2007.3.6)


This live was done a week before the GazettE's [Meaningless Art That People Showed] in Yokohama Arena Sound Hall, well known as ツ'Sanho', a live house located next to Yokohama Arena. Most that play on this stage dream to someday play next door in Yokohama Arena, but only a small few make this dream come true. In this scene it seems to be just the GazettE, so keeping this in mind, the present the GazettE playing in ツ'Sanho' seems quite meaningful.


It was just pass starting time when members appeared on the stage, to the cheering of those fans who were lucky enough to get platinum tickets to the concert. With the explosion of sound effects, the audience surged forward and members took their place picking up their instruments. After a short pause, [Filth in the beauty] began, to which the audience danced and jumped enviably about.


Next they played their latest single [Henya]. Kai's rhythm and Reita's bass work was great, solid guitar playing by Aoi, tense sharp edged guitar playing by Uruha, together with ferocious vocals by Ruki stirred the audience so their music was well received.


After a few new songs, an oldie [Sugar Pain] followed, and its development was great. The set list was based on the list of their hall tour [DECOMPOSITIONツ BEAUTY] last year, but by adding their new songs the impression of their live became fresher and left a stronger impression on us all.
Therefore, when [Defective Tragedy ] and ツ「ツ静ァ窶凖?Chizuru)ツ」were performed in the middle of their live, both songs seem to give us more vivid imagery than their recorded music. But the liveliest moment in this night was to come in the later half of the live.


ツ"Oh Yeah, Yokohama! Today, my adrenalin has been pumping from the begining of this live (laugh), so let's go for it!ツ" Ruki shouted, then [Nausea&Shudder] started and the live continued with five upbeat songs, so no-one could take a break until the last song [DISCHARGE] (actually the members themselves didn't have time to take a break either) and the venue became hotter and more excited than ever.


However, there was still more to come. After they went into encore, the live accelerated even more, and when the last song [ナ?テ問?愬停?忱窶ーツコツ催?窶枠ツ坂?。(Kanto Dozega Kumiai)] was performed, many people dived in front of the stage, and at the back of the floor there were people kneeling down on the floor head banging like the song's title describes. And to cap it all off, there were girls wearing mini skirts without stockings, diving into the audience showing off their underwear for all to see. Needless to say this whipped the crowd into a frenzy. Finally Ruki said ツ"Thank you, guys! See you again. Let's rampage more next time! I love you.ツ"


In one week time the GazettE will play their tour final in the Yokohama Arena concreting their position as a major band. Today, I was able to see them before their evolution, as they used to play in live houses when they started as a band.


to be continue .... ....
 
Interview for members:


Ruki


I heard that in Yokohama Arena live [Meaningless Art That People Showed], Uriha wasn't in good condition, and you weren't either, Ruki.


Me? Well maybe a little.


I didn't know that until the after party, after your performance. I didn't think that you could or would have put on such a powerful performance if you weren't well.


Really? So maybe it was a good thing? (smile)


The live itself was extremely exciting even if I dare to say that the live wasn't perfect, I would have to say that it was great!


Yes, that's true. It was great. I think that we managed to keep our usual tension throughout.


It was a big difference to your live in the Budoukan. The Budoukan live seemed a little ツ'parliamentary', but this Yokohama Arena live seemed like your home ground from the beginning, even though you were playing there for the first time.


Ah, I think so too. In the Budoukan, we played feeling like ツ"We've always wanted to be here.ツ", but this time if felt more like an extension of a normal tour.


Behind this, did the fact that you could do your live house tour [FURY&SORROW] before the final live, help?


Yes, it helped a lot. It was when our new songs came into our set list, so the new songs adapted well. As a result, it connected to the Arena live, and we got something there.


In the tour of [FURY&SORROW], I went to the Yokohama Arena Sound Hall building next to the Yokohama Arena. What did you feel those days when you did such hard lives, Ruki?


Well, there were many things. In Rokumeikan, electric power was cut out because of the humidity. (laugh) There were people who passed out in some places. I also fell asleep soon after I sat down on a sofa when I finished the live, and came back to our dressing room, and kept sleeping for one hour, a bit like a dead battery.(smile)


It was hard both physically and mentally?


Yeah, because I didn't do only those lives, but I did also rehearsals before and after the lives, and pre-productions. So I used my throat too much so much so that I think my condition wasn't very good.



As I hear about you more, I think that it is amazing that you can sing for three and half hours in the tour final at Yokohama Arena.


Thanks, but I still have lots to learn. (smile)


By the way, how did you feel about the set list including new songs this time, Ruki?


In the Arena live, from about the 8th song [Crucify Sorrow] to the 12th song [ツ静ァ窶凖?Chizuru)] was really important for me.



Those were songs which you made the audience listen to carefully, so it was the highlight for you as a vocalist?


Yes. I thought about how I could force myself into a corner mentally, because I wanted to make a tense atmosphere, in a good way that is.


The audience, who really got into it in hard songs, listened to the music carefully at that time almost like still water.


That's what has changed from before. The audience really listens to the music when and where we want them to. I am really happy about it and I think that it is a good thing. They also become wild when we want them to too.


I am not trying to flatter you, but I did not see any difference in the atmosphere between your live house concerts and the Yokohama Arena live.


Yes, I really felt that too. To be honest, I am not sure whether it was because of the lighting or my bad eyesight, but I didn't notice it until the encore. (smile)


So you didn't know how was the audience reacting?


No. So when I came back to our dressing room after the live, I didn't know and said ツ"I think today's audience didn't really keep up with us that well.ツ". (smile) Then someone said ツ'No way! What are you saying?ツ" But in the encore when I could see the whole audience, and I found that the audience were really getting into our music and enjoying themselves.


Many bands say that ツ"There is basically no difference between halls and live houses.ツ" And you really showed us that.


We aimed as high as we could , we did our best.


By the way, Ruki, you went to the floor at the end of the encore in the Arena live. It made the field sent the crowd into a frenzy.


Yeah. (laugh) I didn't know whether I could go down or not. And I didn't know where I could go down to, so I went like ツ"May I go? Is it OK?ツ" step by step. Well, I actually wanted to run, but there were cameras in front of me, and many people came to me, so I couldn't. The field was quite cool, which was also good.(laugh)


That live gave us various feelings. To be honest, when I went into the venue, there weren't any big screens, which made me wonder about what I should write if I can't see anything on the stage.


Ah, ok.


But once the live started, it didn't matter at all. If there is a big screen, we tend to loot at it, but there wasn't, and I could feel the energy not through cameras but more through my own senses.


Yes. We thought at first that it was better to have screens. But after we thought about it, we decided that it would be better without them. So we could use the space like a big live house. I think that it was a good step forward.


In Yokohama Arena, Ruki, you said
ツ"We the GazettE will be ツ'Saikyou Saiaku' band!ツ" near the end of the live. Did your words of ツ'Saikyou Saiaku' mean ツ'the strongest and the worst'? Or did you mean ツ'the fiercest and the worst'? Or you might mean ツ'the scariest and the worst'ツ…..



Ah, I said that meaning ツ'the fiercest and the worst'.(laugh)


Did you mean you want to be a continuously turbulent band?


Yes, I want you always think about us like ツ"They are crazy!ツ". (laugh)


If I think about the GazettE's achievements until now, these words sound meaningful.


We don't really have to pose or worry what people think about us now. For people who aren't interested in bands we are just unknown individuals, but one day they will notice that we have become quite big. Not like we have a hit single, but a lot of people came to Yokohama Arena, and I think that most of them enjoyed themselves. We are considered visual kei at the moment, I think that is because of our looks? We don't put our pictures on flyers so much now. (smile)


That's true.


But I think it's good there is a band like us. Saying things like we want to be ツ'the fiercest and the worst', we'll go ahead basically without changing anything we say. Wait, I feel like I haven't changed at all saying the same things I did in junior high school.(laugh)


to be continue .... ....
 
Uruha


Congratulations for a live well done. I heard that your health wasn't so good the in Yokohama Arena live [Meaningless Art That People Showed], Uruha.


Yes, but it was good that I managed to finish it well.


I could tell at all that you were in such a bad condition when I watched your live. I was a little surprised when I heard about it in the party after the live.


Really? Well that's good. I had no problem when I played songs, but when there was an interval, I became worse quickly. So I Ruki's MC always felt very long!


And the live itself was very long. It was about 3 and half hours.


That's true.(laugh) It may be the only live where I had to keep fighting to keep up with everyone. I had hay fever, abdominal pain, and even a temperature, lots of things. And to try and fix things I had various drugs, youmeishu, and energy drinks, which made me feel even worse.


That sounds awful. In such a terrible condition, what did you feel on the stage, Uruha?


Well, I felt great. I thought that place was like a smooth long huge tunnel, and I was overwhelmed with the feeling of having so many people there.


At the same time, not just the audience number, but the atmosphere given from them was quite different from that in your Budoukan live last year.


Yes, I agree with you. The audience really got into it. I thought they moved really well, so I felt good. Looking at them helped me too. I was encouraged so much.


You were helped by the audience.


Yeah. I'm sure that's true because I was in such a bad condition that day. I was helped by the audience that's why I could play so well.


Before the Yokohama Arena live, you did a live house tour
[FURY&SORROW], so if you didn't play your hall tour and live house tour, the final live would be quite different.



I'm sure it would be totally different. If we played in Yokohama Arena just after the hall tour, it wouldn't have been like that at all.


So, what was the identity which you got by playing in [FURY&SORROW]?


What I got was a vision connecting to the next step. Concretely speaking, while we put our new songs (songs included in their single released this year) into the set lists, we made our lives thicker. Especially, in the beginning of the live, [Hyena] was put in, which increased the power of our live more.


I agree with you.


I think we could confirm our foundations during our hall tour. Then were able to add the next step, which was the live house tour. We really felt that our new songs have to plug the live to go ahead onto the next step. Our fans were running high from the beginning. It was because fans received our new songs and came to our live, and more than that, we didn't have any worries about our new songs. I think that was big. I think [Hyena] was easy to understand as a song.


The song really stood out in the live more than we thought.


It was because I didn't want to make our tour just to accustom our new songs. I have a confidence we could play it perfectly and did the lives from the beginning.


By the way, I went to see [FURY&SORROW] in Yokohama Arena, which was very chaotic.


Well every live seems to be like that, but yes, ツ'Sanho' was running on quite a high.


I couldn't believe my eyes. One moment a girl wearing a miniskirt without stockings, dived into the crowd, and revealed her underwear in front of you. (laugh)


Ah, that. We don't really care about that kind of stuff so much. We are in extremely high in our lives, so we don't care about that. I think we would be calm even if naked girls were rolling around.(laugh)


Ahaha.(laugh)


I'm happy that she didn't care about how she looks and allowed herself to have fun. I can understand such feelings very well.


[FURY&SORROW] and [Meaningless Art That People Showed] in Yokohama Arena were basically the same set list except for their encores. Which part did you like most in those menus, Uruha?


Which part? No, I liked all of the menus this time. But if I have to say something I would say the later half in which we kept feeling high and we were kind of forced into a corner. It was hard but felt good. I think it's because I'm a little bit masochistic.(laugh)


Oh! So that is the real you!?(laugh)


Well, When I'm forced into a corner, and the live reaches climax and ends, I feel the best. In this way, every band man is generally masochistic, I think.


At the final live in Yokohama Arena, the tour [DECOMPOSITIONツ BEAUTY] series concluded finally. What do you feel now in this flow, Uruha?


In the true meaning, I think I understand how I send our feelings in our lives. I don't think my condition or distance has anything to with the live. It's not about whether a live concert is in live houses or in arenas. And you know, I don't think it's a matter even whether we are seen or not. This time we didn't put a big screen in the Arena, which was because we felt could communicate to the audience directly without unnecessary things. I think it will make a big effect on our future, because now I know the most important thing is to ツ'feel each other'.


Do you mean music and lives are not just to see nor to listen to, but more to feel?


Yes. Even if we play in a small venue, people are in mixing, shaking their heads hard, and can't see us. But we can feel each other a lot, which has nothing to do with whether the venue is big or small, whether we can be seen or not. the GazettE is a band like that, and I want people to know about it.


From now, we will release another album, and go on tour again from autumn. I want everyone to feel our various thoughts and feelings which the band the GazettE will release there.


We ourselves have come to know the possibility of our band through this tour and Arena. It is just amazing. We have a desire to go further and do more, so we are really looking forward to that.


to be continue ... ...
 
Aoi


The tour [DECOMPOSITION BEAUTY] finished in the Yokohama Arena live [Meaningless Art That People Showed], and I think this tour made you feel the development of the band strongly.


Objectively I think that our band has developed mentally, but it's my personal analysis.


I see. Your mental change affected your sound and the live atmosphere.


Well, we are human, so we feel up and down at different times in our lives. But even if we have such waves, they don't really affect our live concerts. The presence of the waves itself really I think matches the GazettE's lives in a way, I think that we managed to take the next big step as a band.


Actually, the final live in Yokohama Arena was the succession of your overwhelming live performances. Honestly speaking, I felt your skills had become much better than the hall tour of last year.


Well, still I don't know whether we could do everything perfectly as we wanted to do. But generally speaking, I think we really changed. I think I myself changed first.


What part do you feel has changed?


I think I always have good tension. Well, sometimes I may not sound that good, but I can often improve on the spot, and then I am able to do it then.


Through this tour, there are many aspects which you changed, not only mentally and also as a player.


Yeah. I think that it has been good and bad.


Good and ツ'bad' aspects?


I mean all venues in the tour last year were halls. Of course it was very important for us to do that, but on the other hand, I had a feeling that we showed and made the audience listen to too much fitting in the halls. When I played in live houses again, I actually felt a little strange at first.


Aoi, you said in our previous interview that you didn't think there was a difference between halls and live houses at all, but those places are not the same in every aspect.


Of course, basically the both are the same, but this time we thought about the live house tour a lot. Every time we watched our live video, and even if we ourselves thought ツ"It was a good live!ツ" objectively looking at the live we saw many things that we couldn't say was good. As for the size, we played in quite smaller places, but we couldn't make good use of the space well.


Well, that seems strange.


Maybe, we tried to keep a distance from one another more than we needed, I think. Especially, the first live in Meguro Rokumeikan was not a live mix, but it was rather too clean.


But the live in Yokohama Arena Sound Hall done one week before the Yokohama Arena live, was it was pretty mixed up, in a good way I mean.(laugh)


Ah, the floor was really something. For the fans, it was the venue in their home ground, so they did whatever they wanted to, I think. I was surprised thinking ツ"Hey, why are you guys so energetic!ツ", they were pretty cool..(laugh)


For you Aoi, were you satisfied with playing the live in Sound Hall?


Well, it was good. Honestly speaking, I have something with ツ'Sanho'. I'm not a fan of the venue personally. Well, maybe my compatibility is not so good, I just don't seem to match it.(smile)


Is it like your weak point? (laugh)


Yes, it's something like that. But this time I enjoyed it for the first time. We were gradually getting better from the Rokumeikan to the Arena. Even in small live houses, we wanted to make our sound better, and also we wanted to do really wild lives more than before, we wanted a lot, so it was really good that we could do that tour before the Yokohama Arena live.


Perhaps, that live tour between the hall tour and Yokohama Arena live, was the one which you the GazettE really affected your pride and prestige as a live band.


Prideツ….I don't know whether it was our pride or not, but for example if there is a band which is active in Takatababa Arena now, I don't think that we are beaten by them.(laugh) Actually I don't want to be beaten by anyone younger than me yet!(laugh)


After you finished your [FURY&SORROW] tour in which you returned to your starting point as the GazettE, how was [Meaningless Art That People Showed] in Yokohama Arena for you, Aoi?


If I talk in detail there were quite many things, but really it felt good, and I enjoyed it, it was a good live.


About that final live, if I say simply, I can't find any other words except ツ"I was just overwhelmed.ツ". It was a live which I found myself pressured by the heat and energy from both the band of the GazettE and fans who support you.


I see. To be honest, I didn't feel like that was the final live.


What do you mean?


Well, I felt that I achieved it more than usual. Before, in our final lives such as the Budoukan live in last year, I used to be nervous at the beginning, but this time I didn't feel nervous at all, and the other members also had good tension, kept relaxed, and played. I felt the audience enjoyed it so much to see us. I really think it was a good live. So I I didn't think that it was an ending point.


That's right.


Yes. In Arena, I really enjoyed it and it felt so good. In the encore when I played guitar solo of [LINDA], I felt like ツ"This venue is mine!ツ".(laugh) From others around me, I heard many things such as it's hard to play in Arena because there is a big distance to the back, and the sound is dead on the stage, but there were no problems, the live really overcame all that..


It was a live where I could feel the strong presence of the band again.



But the audience was the best on that day. I really thought so when I saw the live images soon after we finished our live.



No one forced it but 10,000 people moved all together, which is really amazing.


Yes. Those guys were the best! We were affected by them, and I thought that I would have to work that much harder not to be beaten by them.(laugh) It was superb view, which was awesome.


Aoi, you said through the microphone in the end of the live that
ツ"I love you guys!ツ", which wasn't just a line, but your real honest feelings, didn't you?



Yes. At the end I wanted to say something in my words, and those words came out. Usually I'm too shy to say that kind of stuff.(laugh)


What will follow from your thought ツ"Here is not the end.ツ", which you said before?


After that live finished, our staff said ツ"Next is in Suidobashi(=Tokyo Dome)!ツ", ツ"Next is overseas!ツ", and I thought ツ"What they are saying?ツ", but I saw a dream for a moment that ツ"We could go there with them.ツ".


As you are a band man, I hope you have a big dream.


I don't aim just for that, but I think I could go there with them. But first of all, we have to finish our next recording, before the next tour. And we have to work harder to skill up before we talk about our dreams. We have to force ourselves into a corner more and more.


to be continue ... ...
 
Reita


It has been five days since the live in Yokohama Arena, (this interview was held on May 16th), if you were to express the live in a word what would you say?


It was fun! I wasn't in good condition, but I did my best.


I'm afraid you couldn't feel the scale of such a big venue and the overwhelming presence of more than 10 thousand peopleツ…..


Well, I was OK when I was playing on the stage! I took medicine and had lots of adrenalin in me, so I even forgot that I had a fever. So I could enjoy it. I couldn't see the fans at the back well, and they just seemed like beans, but I knew they enjoyed themselves too, so I thought it didn't matter whether I could see their faces or not. And we didn't change what we did too much; using the set list from our four lives in live houses just before the Arena live.


But in the live house tour, the venues were quite small in capacity, which was a big difference from the end of year hall tour.


Well, in live houses, fans responded quickly, and they seemed easy to listen to my bad pronunciation in MC because the distance was not that far.(laugh) Meguro Rokumeikan, where I heard it was too small for our instruments and materials, seemed unexpectedly large when I actually stood on the stage. Oh, and at the end of our last song [DISCHARGE], the electricity cut out.


And in the second day in Takatababa Arena, the synchronized sounds stopped.


The humidity from the people caused that. When we played in Rokumeikan, I heard drops were dripping from the lighting on the ceiling. I really like ghastly dangers and being in a lawless zone, that's the reason why I like playing in live houses. That's why I went to Yokohama Arenaツ….. Before the live of Yokohama Arena, I had a bad feeling and checked my temperature, and found it was more than 38ツ?ス!, and thought ツ"Oh, my god!ツ". At that time I thought ツ"I'll sleep so I'll get better.ツ", but I awoke up every hour because I felt hot, and I couldn't sleep at allツ…ツ…it was horrible. It was too bad to play the live like that, so I took medicine, then I became better and I talked normally before the live.



In such a bad condition, how did you feel when the curtain of Yokohama Arena dropped and the live started?



When the audience burst into cheers, I had goose bumps. At the same time, my heat went away. And it was so impressive to see more than 10 thousand people was jumping to the main melodies of the first song [Filth in the beauty]. I think fans learnt how to enjoy the live space during the hall tour. I tried to get to know the distance from the audience and the feelings of the sounds desperately, and became excited at around the 2nd and 3rd songs.


That venue wasn't built originally to play lives, so I think there were many problems about the sound.


Yes. I couldn't hear the low sounds, and the tuning seemed wrong even if they were fine. Well, Rokumeikan where we played a few days before didn't even have monitors, so we became able to play anywhere.


In such a big venue, didn't you plan to move around more or to move forward more?


The people at the edge of the stage had to look upward to see us which seemed a little difficult, so I tried to turn my face to them, but I'm OK to play in the back of the stage and to be seen sometimes. And is there really any big difference if I go to the front a little bit? I felt like I was already standing in the front of the stage, so I didn't care about whether I would go to the front or not.


Yes, you didn't seem pressured about being in such a big venue at all. You seemed used to it.


Well, I felt like I put a stamp on the place of Yokohama Arena.(laugh) And I had a fever, so I felt like ツ"I just hope to play this well!ツ". I just thought I would do my best for 3 hours then it was OK to burn out after that.


Humans get an enormous strength from severe conditions.


I asked Kai to call ツ"One, two, three, four!ツ" in the song [Ride with the ROCKERS], because I couldn't talk because of a fever. But I changed that just before the live, telling him ツ"I'll do it.ツ".(laugh)


That was why the rhythm section was so good that day, so I was really moved.


Well, I really had many things to say there. As a human, we have a lot of things that we experience, I think? I wanted to say when you feel down we will be next to you. But I'm poor at speaking, and I don't have a head to say nice stuff and I often loose my way in what I'm saying, so what I can do is stir up the audience.


You are quiet, that's why your words coming out from you once in a while are so meaningful, Reita. For example, your words ツ"Follow us forever.ツ" in Shibuya O-West.


Oh yes , I said that. I want to do what I like forever. We have confidence to make them enjoy our music as long as we are the GazettE, so we just hope that they follow us forever. When we played in Yokohama Arena, I really thought we have good fans. Yesterday, we checked the live images and found fans who appeared in the image had very good smiles on their faces! Even they were so far from us. When I saw them, I felt really comforted by it.


On that day, there was no screen, so members' expressions almost couldn't be seen. However the power of the tug-of war between five members and fans was enormous.


There might be fans who said they couldn't see, but I felt different about how to release their power to see real us than to see a screen. A live should be done by our hearts and minds. Of course technique is important, but the most important thing is our minds. So I played to reach our minds as much as possible.


In this tour, what you got was the importance of the mind, Reita?


Yes. Lives are the most pleasant, and it's basically the same beyond genres and venues. If they aren't fun, they are meaningless, and the most important thing in lives are our minds. Our technique is better by practicing in a studio, but for your minds to grow you have to do lives. And I heard stories during the tour, stories about fans who died, or who are staying in hospitals. As we have more fans, we hear about fans who are in various environments, so I thought I should have power to reach to the guys who can't come to our lives. Well, they can come to our live for free from the heaven, so I want them to come to see us at any time.


That's really nice. As the purpose for playing in lives grows your mind, your long tour from July will be a perfect opportunity to do this.


When the schedule was projected on the screen at the end of our live, I lost my spirit a little bit. It seemed for me like ツ'the next round of hell!' at that time.(laugh) But summer is a good season for lives. Last year we did only 3 lives including the German live, so I want to do many lives this year. To control my health condition is more important. I don't know how I will be if we play the songs of our new album in such a hard schedule! I think my neck would become thicker, and all of my body would become thicker too.(laugh)


About your new album [STACKED RUBBISH] which will be released on July 4th, all of other members said ツ"It would be breathtaking work.ツ".


Yes. It will be an album which never lets us rest and puts us through a series of growth spurts. Almost all the songs are heavy and hard, which seem like bad adults, well they look just like us.


So you have to build up your strength, so as not to be beaten by playing such songs. I want to see you, Reita, throwing your picks cheerfully after you finish your live.


You won't see that! The moment when the last sound finishes, the live is finished for me. So I leave the stage quickly, that is my policy.


I see!


For now, there will be two kinds of tours, halls and standing, so I'm expecting to hear how people feel about the difference between them. I have confidence that I can make them feel the same. Anyway, I think that it is going to be a fun summer.


to be continue .... ....
 
Kai


Were you able to sleep well the night you finished your Arena live?


After I finished the live, I didn't know why but I just wanted to drink alcohol! So I went to a convenience store and bought some beer, and drunk with my parents talking about their impressions of our live.


I know your parents come to your lives every time.


From our first Shibuya AX live, they come to almost all of our final lives. They came to our tour because I gave them tickets to cerebrate their 60th birthday.(laugh) My mother is a piano teacher so she has a good eye about music and can be quite strict but she praised me for the live in Yokohana Arena saying "You all grew up!"! And I heard they cried moved by my MC.


I'm sure they did! You said thanks to fans and the people around you, and gave serious messages such as "Live strongly.".


Well, when I saw all those people, I really wanted to say thanks to many people. I was just happy about so many people coming to see the GazettE, and enjoying our concert. Can you imagine, before, we used to be in the opposite position, where we looked at the stage as the audience. So naturally I felt thanks for those around me. While I was talking, I was moved and almost cried.(laugh)


Yeah your voice did show your emotion. I'll ask you about the four lives in live house tour which you did before that impressive live. What did you feel when you played in those venues with all those memories?


We haven't played in live houses for one year, so I felt fans' eyes and heat, which brought me back. Well, all the members tend to over imagine things. For example, we imaged Rokumeikan being quite small, but when we played there, we it was actually quite large. So it was good that Rokumeikan was the first venue, because we played in venues larger than that after that concert.


Finally the last day in Shibuya O-West, everyone was so excited that the heat from the audience came up to the second floor.


That was because it was a live house. There I felt good like "This is great!", more than in halls.


When I saw that, I thought "They won't be any problems in Yokohama Arena.". I was very surprised when I heard you had a fever on the day, Kai.


Eh, really? For me there were some parts which I felt a little bad about. For example, I couldn't play as well as than usual, but no-one seemed to notice, and I didn't express it on my face.


I didn't notice at all. Even in encore, your energy didn't decrease at all.



That was because I was trying to make up for how I was feeling. Anyway, I did my best until the end, and I felt much better when I played in the live. After I left the stage, I suffered from vertigo and couldn't control it at all, but when I went for the encore, I became better. So I thought the power of lives and fans were great. I also think Reita didn't feel so bad either when he played in Yokohama Arena.



Yes, he said there were no problems during the live.(laugh) Anyway, I thought you were great playing drums so powerfully even though you had a fever. I thought you might have done some special training.


No not really. We hadn't played in a live house for a while, so after we finished the live in Meguro Rokumeikan, members were dead tired. But I wasn't so tired. Then I thought it was good for me to stop smoking. (laugh) And I don't cut corners in rehearsals, I do it like a live! That might be good for my physical training.


You overcame your cold by your sheer physical strength, and played in Yokohama Arena in perfect condition. How did you feel when it was started?


I dared not to look at the audience, because I thought I had to get a grip on myself first to draw the audience in. And I knew members went fast in the first phrase, so I thought "This is not good. I have to keep the rhythm", so my tension was blown away at that moment. I think I tried to calm down and concentrated on my playing in the first song.


Did your tension change to your responsibility? What were you especially impressed with in the live?


I was impressed the moment when we all made our sounds all together in the beginning of the first song [Filth in the beauty], and I remember when we finished the first parts of our set list, I felt a good response, and said to the staff next to me that "I can make it today!", then he went back to the wing of the stage with smile on his face.(laugh) And I was impressed with the song of [Defective Tragedy].


The drums are really important in this song.


I think that I played the best I ever have in this song! I made a victory pose after I finished it. But when I saw the live image later, there were actually few wrong bits. And I remember my drum solo so clearly. In [Ride with the ROCKERS], I really wanted to get everyone going, so that was a great way to do it. The phrases might change every time, but basic form doesn't.


And I felt through your live house tour and Yokohama Arena live, you really made your timing and rhythm important.


This time, we synchronized to the songs a lot. I used to fit my rhythms to the click, but now I try to fit to the band sounds. I make the click to be my feeling, and for example, if I hit the drums and think "In the next beginning it would be better to go in faster." And at a moment, I'll go in faster than the click.


It felt really good because there was the atmosphere and the type of timing that is only in lives. Besides, did you try to do something different from usual playing in such a big venue?


To be honest, a drummer can't move, so I can't do something special. But my mental aspect is a big part therefore, and I can't make it by myself, but can make it with responses from the audience. I thank fans so much for making me feel very close to them in Yokohama Arena. I saw and could feel from the stage the fans growing together. I could also feel that the people in the back enjoyed it even though they couldn't see us. I was so happy to see fans who were in the far back from us clapping their hands and having fun; I was really on a high after that.


This invisible aura and feelings shortened the distance between fans and members, and made you do away with the unnecessary things in Yokohama Arena. Actually I think you all did your best.


Well, it's rather rude if we didn't. So I don't care about other bands these days. I don't have rivalry anymore for bands which are active now and used to play in Tokyo Dome before. Well, I started to play in a band longing to be like LUNA SEA, but when I think whether I still have to aim for them now, our goal is more than them. We have decided to climb up to where no one has been, as long as we can, as the band of the GazettE.


When I saw your great live in Yokohama Arena, I felt that your popularity will continue to grow. I think that you will really get there.


Yes. I'm sure! And I want to do it with our fans together.


Did you hear the cheers from fans when the schedule of your next tour was projected at the end of the live?


Of course, because we watched that from the wing of the stage! When we found the words 'Nippon Budoukan' in the middle schedule, we, five members, said this means something, because it used to be written in the end and in bigger letters.(laugh)


You finished the tour [01] in the Budoukan, then live house tour [02] started in November, and then I don't know how long your tours will continue…..


I think it will be up to around [10]?


Do you that, what do you think that you, personally, will have to do?


I'll look after my health. My parents said to me "Your body is not only for you!".


Manager K: He always works too much. In the rehearsal of Yokohama Arena, I said it's OK to come even though he had a fever, but use a mask!.(all burst out laughing)


I put on a mask! But after the rehearsal finished, it became sloppy and I felt bad. So I took the mask off and put a towel over my mouth.


So you'll look after your health and work hard to create the new album now.


During this one month, I don't know how many times I changed the arrangement of drums in the same song! First I make a song and bring it in, talk about it, then take it home again. Sometimes I have to remake a song from zero again, and you know….. But there are a lot of good things so please wait and look forward to it.


End Of interveiw.
Translation credits to Noriko 'Non-Non' Takeuchi


Hope everyone enjoy reading the interveiw. :-)
 
@Amita
you're welcome
yes those brands are really rather expensive^^
I would suggest, if you wanna make him clothes, that you make them M female size...but if you're really unsure get a mix between M and L female size...that should fit him (the member of Diru have also something between M and L, so that should fit Aoi, too)...I would keep the clothes with the main-colors black and white (his favourite colors) and maybe add some cute dog/cat stuff (his favourite animals)...or just buy him sunglasses :p

@Gazettastic
thank you *hugs back*

@Tomino
WELCOME BACK!!!!!🎈^^

@Hana
thanks again for the ss (I finally looked through all of them)...and I was right...they were tearing me up...now I'm even more afraid of watching that live...would you mind if I used some of them to make some avas *makes puppy dog eyes*

@charcoal
thank you soooo much for the interview *huggles**gives gaze-cake*
omg!! I really admire them now even more (as artists)...they are so strong to go on stage and perform even if they have fever...I bet a lot of other artists would have dropped the concert!!! Aoi was giving the shortest answers :D:D
their words at the end were sooo cute!!!!! once again I know why they are my favourite band...they seemed really to enjoy the live!!!!
 
@charcoal: Thanks so much for the interveiw is it possible for me to post that on my site? I'll get back to you on that... God, I love GazettE more than ever now...

I MISSED YOU GUYS!
 
@Charcoal: Thanks so much for the interveiw is it possible for me to post that on my site? I'll get back to you on that... God, I love GazettE more than ever now...
I MISSED YOU GUYS!

Sure you can post this on your site.


And welcome to all ~ :haihai:


they are such an awesome band !!👍


i'll be waiting for them to come overseas to performed ~:haihai:
 
@Amita
you're welcome
yes those brands are really rather expensive^^
I would suggest, if you wanna make him clothes, that you make them M female size...but if you're really unsure get a mix between M and L female size...that should fit him (the member of Diru have also something between M and L, so that should fit Aoi, too)...I would keep the clothes with the main-colors black and white (his favourite colors) and maybe add some cute dog/cat stuff (his favourite animals)...or just buy him sunglasses :p
THANKS!!! I'm really bad with sizes though :p I dunno if I can really see Aoi wearing a cute Cat/Dog shirt.....THAT WOULD BE SO CUTE THOUGH!!!! :LOL:

@charcoal THANKS FOR YET ANOTHER GREAT INTERVIEW (the other one was an Alice Nine one :) )!!!!!!!!

@Gazettastic You can say anything you'd like! :) I'm still thinking on what I want to say to Aoi...

@Reita lmao I love how you're always on when you're at school :LOL:
 
Reita-kun - don mention it. it's a pleasure to share good stuffs ~ :-)

Amita - You're welcome. :haihai:
 
ah, I'm glad you like <33 they are all from my a9 site... (its in my sigi...)

GazettE is my world... <33 I'm goig to put the interveiws on the site now <33
 
Hiiiii, kittens! (^^)/ Did you miss me? XD *hugs everyone tight*

Some screencaps, so that you won't forget you ss-maniac XD
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How could they cut off these scenes
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A little bit more ss will follow :333
 
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Reita XDDDDDDDD
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And yes, I'm totaly agree with Uruha - Aoi was incredibly beautiful .. it's almost painful <3
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I miss you so badly gaze-sisters! *kissu*
 
PIC SPAM!!!! I LOVE IT! <333 Thanks Kayen!!!

Aoi is so beautiful its painful! I LOVE IT!

The interview is on my site now <33
 
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