Chapter 6 Politeness continued
It means, in other words, that by constant exercise in correct manners, one brings all the parts and faculties of his body into perfect order and into such harmony with itself and its environment as to express the mastery of spirit over the flesh.
If the promise is true that gracefulness means economy of force, then it follows as a logical sequence that a constant practice of graceful deportment must bring with it a reserve and storage of force.
Fine manners, therefore, mean power in repose.
Is lofty spiritual attainment really possible through ettiquette?
Why not?--All roads lead to Rome!
As an example of how the simplest thing can be made into an art and then become spiritual culture, I may take
Cha-no-yu, the
tea ceremony.
That calmness of mind, that serenity of temper, that composure and quietness of demeanour which are the first essentials of
Cha-no-yu, are without doubt the first conditions of right thinking and right feelin.
The very fact that it was invented by a contemplative recluse, in a time when wars and the rumor of wars were incessant, is well calculated to show that this institution was more than a pastime.
Before entering the quiet precincts of the tea-room, the company assembling to partake of the ceremony laid aside, together with their swords, the ferocity of battle-field or the cares of gevernment, there to find peace and friendship.
Cha-no-yu is more than a ceremony--it is a fine art; it is poetry, with articulate gestures for rhythms: it is a modus operandi of soul discipline.
Its greatest value lies in this last phase.
Politeness will be a great acquisition, if it does no more than impart grace to manners; but its function does not stop here.
For propriety, springing as it does from motives of benevolence and modesty, and actuated by tender feelings toward the sensibilities of others, is ever a graceful expression of sympathy.
Its requirement is that we should weep with those that weep and rejoice with those that rejoice.
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