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MHtrStevie said:Otakon is (apparently) the biggest anime/J-Pop convention in the United States, which happens around the end of July every year in Baltimore, Maryland. It started in 1994 with 350 attendees at Penn State University, and last year (2003, when I last went) they had over 17,000 people attend, almost completely filling the Baltimore Convention Center! With L'arc~en~ciel in concert this year, I can't even fathom how many may have been there...
I did see the TM Revolution concert at Otakon last year, which was totally amazing... so I imagine it had to be an amazing appearance by L'arc this time around. If no one replies here with personal stories about the event, you can follow the banter at the Otakon board itself (I've been doing that)... here's a link to the thread with post-concert reports:
http://board.otakon.com/viewtopic.php?t=3985
Hope this helps... wish I could have been there!
That was true up until last year (2003)... based on attendance figures listed at the con's websites for that year, AX2003 lists 17,000 attendees while Otakon 2003 lists between 17,000-18,000. I haven't seen figures for this year (considering Otakon just ended yesterday), but I think that's where the claim is now being made... the Otakon growth rate has been higher than AX the past few years, so you'd figure they'd eventually catch up. But at the very least, they are now equivalent conventions in terms of raw attendance and ability to attract the BIG guests. Anyway...Onmyoji said:Actually, as far as I can tell, it's only the biggest anime convention in the EASTERN United States. I think Anime EXPO in California is much bigger. Anyways, back to the discussion at hand.
MHtrStevie said:That was true up until last year (2003)... based on attendance figures listed at the con's websites for that year, AX2003 lists 17,000 attendees while Otakon 2003 lists between 17,000-18,000. I haven't seen figures for this year (considering Otakon just ended yesterday), but I think that's where the claim is now being made... the Otakon growth rate has been higher than AX the past few years, so you'd figure they'd eventually catch up. But at the very least, they are now equivalent conventions in terms of raw attendance and ability to attract the BIG guests. Anyway...
Glad to hear someone mention the Angela concert as well... I was intrigued seeing them on the bill, as I haven't heard much of their music. But I figure fan access has a LOT to do with stature in the industry... being a smaller act, it really helps Angela to have autograph sessions, not to mention handling the logistics of the event. Judging by the reports regarding getting into/out of the L'arc concert, I can only imagine the nightmare of trying to organize anh autograph session... what percent of the line for that session would have received autographs? Probably a MUCH smaller fraction than the line for Angela, or TM Revolution the year before...
Obviously TMR's a pretty big star in his own right, but his star's been on the decline for a while now... while L'arc~en~ciel is a band pretty much at its peak, hitting #1 consistently with each new single/album. Of course, TMR also seems like a genuinely good-natured person willing to go that extra mile to leave his fans happy, while L'arc does have a bit of a rep as prima donnas...
*dodges various stones and flaming debris thrown in his direction*
Sorry... I love their music as much as anyone, but not every celebrity is also the greatest person/people at heart. It's too bad that there wasn't an autograph session with them, but I can understand why on multiple levels.
What about the reports I've heard about the crowd at the L'arc show? I hear people personally talking about going nuts at the show, but also complaining that many fans were sitting and being quiet or only getting into things near the end. Some people even say that the convention staff had to try and whip the crowd up at one point... I'm curious because I think the impression left by the crowd in these concerts has a bearing on what will happen in the future. TMR's show went exceptionally well, which probably did a LOT to pave the way for the L'arc show... do you feel like the L'arc show went well enough to see continued efforts to bring more J-Pop acts over?
Yeah, it really felt like something special happened when TMR appeared at Otakon last year. I wonder how much his success/warm feelings about the show paved the way for this relative glut of acts appearing this year... did the word get around? Certainly I know the direct bearing in terms of L'arc~en~ciel's decision, but what about DaI's show at A-Kon or the new one that's really bizarre, MAX appearing at AnimeFest? I mean, as far as I know MAX has absolutely NO connections to anime... they haven't provided a them for an anime at all as far as I know, something that all of the "headline" acts which have appeared so far have done.Winter said:The reason L'arc even came was because of TMR. Tofu Rec. had a helluva time to convince L'arc to come, and it was only after the success of TMR's show, that they finally agreed.
If this year is any indication, I'd agree that next year could be the "Japanese invasion"... I'd figure the floodgates might open if L'arc returns to Japan with positive reports from Otakon too.And they'll be back, along with a lot of other artists outside of the realm of Tofu Records. Next year will be the premiere year of Jpop/Jrock in the states thanks to a few organisations efforts.
Once again, I must concur... he really bent over backwards last year, showing up at numerous panels, staying late at his autograph sessions and being pretty darn press-accessible. He left the same impression with me... extremely nice, especially for a celebrity of his popularity level.One more note just because: TMR is probably the kindest person on the face of the earth. He's just unusually nice. Its almost scary.
MHtrStevie said:If this year is any indication, I'd agree that next year could be the "Japanese invasion"... I'd figure the floodgates might open if L'arc returns to Japan with positive reports from Otakon too.
Well, I was speaking in relative terms... it's fun to think of some weird "Japanese invasion" like the British invasion of the 1960's, but I was only meaning that if TMR and L'arc have returned to Japan htinking it was worth doing what they did, then more than likely next year there will be even more giving it a go...Twisted said:Hmm, as long as JPop stays within the anime-realm, i don't think there will really be a Japanese invasion. Then again, without anime it wouldn't ever happen at all. :?
Winter said:The reason L'arc even came was because of TMR. Tofu Rec. had a helluva time to convince L'arc to come, and it was only after the success of TMR's show, that they finally agreed.
Winter said:And they'll be back, along with a lot of other artists outside of the realm of Tofu Records. Next year will be the premiere year of Jpop/Jrock in the states thanks to a few organisations efforts.
Winter said:One more note just because: TMR is probably the kindest person on the face of the earth. He's just unusually nice. Its almost scary.
antantrevolution said:And which bands may these be? Anyone we know besides Hikki? Could one of them go a little like this... B'z?
Twisted said:Hikki is on Toshiba-EMI so that's probably a no go, not sure which label B'z is on though.
Check out the Neo-Soul compilation on the Tofu Records website. Those are probably the most likely artists to be attending. Especially Crystal Kay, Ken Hirai and Chemistry.
Winter said:antant: Check your pt's soon.